YA sovremennyy kompozitor, pytayushchiysya integrirovat' kontrapunkticheskiy stil' fugal'nogo golosa s polifoniyey v dopolneniye k kontrapunktu 5-go vida (a imenno, 4-y vid dlya obespecheniya ritmicheskogo, a ne melodicheskogo razresheniya); YA ispol'zuyu prikladnoy kontrapunkt dlya sozdaniya muzykal'nykh dvizheniy i izmenyayu svoy motiv, ne igraya protiv nego noty, kotoryye predpolozhitel'no meshayut garmonicheskim intervalam, sozdannym vidovym kontrapunktom. V rezul'tate poluchayetsya uspokaivayushchaya, no legko zabyvayemaya melodiya, v kotoroy ispol'zuyutsya posledovatel'nosti akkordov, no redko povtoryayutsya noty; moi kompozitsii vsegda pishutsya v domazhore/krugovoy progressii, chtoby uprostit' perestanovku dlya pokupateley.
I am a modern composer attempting to integrate the contrapuntal style of fugal-voice leading with polyphony, in addition to 5th Species Counterpoint(namely 4th Species to provide rhythmic rather than melodic resolution); I utilize applied counterpoint to create musical movements and alter my motif without playing notes againsd it which presumably interfere with harmonic intervals created by the species counterpoint. The result is a soothing yet subtly forgettable tune that takes advantage of chord progressions while rarely repeating notes; my compositions are always written in Cmajor/circle-progression to simplify transposition for the purchasers.